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Creating A Moonwalk Scene With Photoshop CS6 3D

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Photoshop CS6 Extended Required For This Tutorial!

Create This Awesome 3D Scene Using NASA’s 3D Models and Textures!

In this tutorial we’ll be creating a moon walking scene using Photoshop CS6’s 3D features. We’ll start out by creating a few simple shapes to create the Earth and the Moon’s surface, then we’ll bring in 2 NASA designed 3D models.

NASA actually provides free 3D Modeling resources that we’ll be taking advantage of to create this moon walking illustration. I have the files used in this tutorial available for download below, or you can go directly to them by clicking on the links at the bottom of this page.

In this tutorial I’ll be skipping some of the basics in order to save time. I’m assuming that you’ve watched my other 3D tutorials (3D Chrome Text, 3D Picture Frame, and The Ken Burns Effect) so you should have basic understanding of how 3D works. If you get lost while watching this tutorial, I recommend watching my other 3D  tutorials first and then coming back to this one.

Tutorial Files

023-moonwalk-3d Downloaded 15 times

Final Image

Moon Walk

Links

NASA 3D Resources:
http://www.nasa.gov/multimedia/3d_resources/index.html

Earth:
http://nssdc.gsfc.nasa.gov/planetary/image/earth_day.jpg

Earth Night:
http://nssdc.gsfc.nasa.gov/planetary/image/earth_night.jpg

Earth Clouds:
http://visibleearth.nasa.gov/view.php?id=57747

Mark III Spacesuit:
http://www.nasa.gov/multimedia/3d_resources/assets/mkiii_suit.html

Apollo Lunar Module:
http://www.nasa.gov/multimedia/3d_resources/assets/lunarlandernofoil_c.html

The post Creating A Moonwalk Scene With Photoshop CS6 3D appeared first on The Photoshop Training Channel.


Photoshop CC Tutorials

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Great news my fellow Photoshop lovers! The next version of Photoshop, Photoshop CC, will be available to Creative Cloud members this June! That’s just six months after the release of Photoshop 13.1.

Photoshop CC will deliver many new features, including capabilities in sharpening, upsampling and reducing blur, improvements to designer tools, and much more.

The biggest news though is Adobe’s moving Photoshop 100% into the Cloud and 100% by subscription. You’ll still be able to purchase Photoshop CS6 for the time being, but it won’t have the new features available in CC.

Pricing starts at $49.99 a month per person for individuals (This includes all of Adobe’s applications). Existing Creative Suite customers, students, and teachers will get a discount to $29.99 a month.

Bookmark this page (and share it on Facebook and Twitter!) As I will be updating it with new Photoshop CC info as soon as more is available. I will also create Photoshop CC tutorials and post them to this page to demonstrate the new features!

Check out an overview of Photoshop CC:

New Features in Photoshop CC

All-new Smart Sharpen: Photoshop CC lets you fine-tune images to get richer textures, crisper edges and more distinct details.

Intelligent Upsampling: The upsampling tool allows you to reserve detail and sharpness while enlarging images for different print sizes.

Camera Shake Reduction: Camera Shake Reduction analyzes the trajectory of the camera shake and helps restore sharpness to otherwise unusable images.

Editable Rounded Rectangles: Photoshop CC allows you the ability to resize and re-edit shapes after they’ve been created.

Rounded Rectangles Photoshop CC

Adobe Camera Raw 8 and ACR as a filter: New Advanced Healing Brush, Radial Gradient and Upright tools.

Photoshop CC Tutorials

Bookmark This Page! As I will be posting Photoshop CC Tutorials on this page as soon as Photoshop CC is available for download in June!

If you are not a Creative Cloud Member, you can become one through Adobe or Amazon!

The post Photoshop CC Tutorials appeared first on The Photoshop Training Channel.

Realistic Rock Text Effect

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In this tutorial, we’re going to create a realistic rock text effect using two images of real rocks.

We’ll start out by creating the background using the lighting effects filter, then well create the text by applying layer masks, layer styles, and a few adjustment layers. To finalize the effect, I’ll show you a few techniques you can use to enhance the lighting in the image. In this tutorial we’ll just focus on just one letter, but you can use this same technique on multiple letters to create a word.

Although we’ll use various techniques, and a number of adjustment layers to create a realistic effect. It is a very simple tutorial suitable for users of all levels. So give it a try.

If you have any questions or comments feel free to leave them down below.

Tutorial Files

024-rock-text Downloaded 55 times
 

Final Image

facebook-big-stream-pic

The post Realistic Rock Text Effect appeared first on The Photoshop Training Channel.

The Winter Soldier Movie Poster Tutorial

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It’s time for our second superhero movie poster tutorial! (The first was the Man of Steel Movie Poster Tutorial)

In this tutorial we’ll recreate the cool looking Captain America: The Winter Soldier teaser movie poster using professional texturing techniques.

I originally wanted to put out this tutorial on our first anniversary, July 13th (it’s hard to believe that it’s already been a year since I put up my first tutorial!). But I spent a lot time creating it since I wanted the final image to look like the original poster as much as possible.

After many hours of work, and some trial-and-error, I came up with this tutorial. It is definitely my longest longest tutorial yet, but I also believe  it’s one of my best.

Give it a try, and don’t let the long running time deter you from watching it. I’m sure you’ll have tons of fun and learn a lot by following this tutorial!

If you have any comments or questions please leave them below, or send me a Tweet!

I would also like to thank all of you for the amazing support I’ve received during this last year, I really do appreciate it!

Tutorial Files

Final Image

Winter Soldier Movie Poster Tutorial

The post The Winter Soldier Movie Poster Tutorial appeared first on The Photoshop Training Channel.

Retro Photo Effect In Photoshop (Free Action!)

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In this Subscriber Only Tutorial I will show you how to create a cool looking retro effect, similar to those see in Instagram.

We’ll also record every step of the tutorial using actions so you can later apply this same effect to any image just with the click of a button!

Don’t foget to download the free action below!

Thank your for subscribing!

Free Action:

Retro Effect Action Downloaded 162 times

Final Image:

Final Image

The post Retro Photo Effect In Photoshop (Free Action!) appeared first on The Photoshop Training Channel.

Photoshop World Las Vegas 2013

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This page will be updated after the event with everything that I learned! Bookmark it now!

What is Photoshop World?

Photoshop World is an event designed to boost your skills which offers the most amazing line-up of Photoshop, photography, and lighting training in the world.

It offers 100 classes to choose from, you can customize your learning experience to match your skill level and interests. You can select sessions in: Photoshop skills, photography techniques, graphic design, business, lighting, Lightroom, and Photoshop for photographers.

Photoshop World offers 35+ renowned Photoshop experts like Scott Kelby, Julieanne Kost, and Corey Barker.

If this is something that you might be interested in, and want more details, check out the official Photoshop World page.

When and Where is Photoshop World?

Photoshop World will be in Las Vegas at the Mandalay Bay Casino, from September 4th to September 6th.

Will PTC Be At Photoshop World?

Yes! I will be there!

In fact, Adobe found out that I will be attending this year and they reached out to me on my Facebook page. They offered me a free training course the day before the event.

I’ll be doing their “Top Gun Flight School” training course, which is a course on flying a DJI Phantom quad-copter that can carry a GoPro 3 camera for aerial photography. The course will be taught by Russell Brown who was a key contributor to the launch of Photoshop 1.0.

DJI Phantom

Will You Be Attending?

Let me know if you’re going!

If you see me there, don’t be shy and say “hi!”

What I learned In Photoshop World

I will be updating this page after the event will all the things that I learn at Photoshop world, so don’t forget to bookmark this page!

This page will be updated after the event with everything that I learned! Bookmark it now!

The post Photoshop World Las Vegas 2013 appeared first on The Photoshop Training Channel.

Advance Hair Masking In Photoshop

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In this tutorial I will be going though 2 different techniques to mask hair. The first will be applicable to all versions of Photoshop, while the second will only work with Photoshop CS5 and above.

As you can see from the sample image, I’m not making it easy for you! If you learn to mask this type of crazy frizzy hair, then you can pretty much mask anything!

Also, as a side note, I’m at Photoshop World in Las Vegas this week, so my apologies in advance for any late email or comment replies!

 

Final Image

Masking Hair In Photoshop

The post Advance Hair Masking In Photoshop appeared first on The Photoshop Training Channel.

Adobe Generator – Photoshop CC 14.1

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Photoshop CC 14.1 came out on September 8th, and one of it’s most impressive additions was Adobe Generator.

Adobe Generator allows you to create image assets in real time as you work, eliminating the repetitive steps of copying, slicing and exporting each layer manually. Simply add a file extension to the name of your layer or layer group, and Photoshop will automatically create a JPG, PNG or GIF from the contents of that layer. If you make a change to that layer, the file is immediately updated. This means that you will now have a folder of images that are always up-to-date with your Photoshop design.

Generator is an open source project, which will allow users who know JavaScript to modify or write their own plug-ins using the technology.

To turn on Adobe Generator, go to File > Generate > Image Assets.

Now all you have to do is rename the layers or layer groups that you want to export.

Here are some examples of the supported tags:

  • .png (Default value: png32 with semi-transparent alpha), .png8, .png24, .png32
  • .jpg (Default value: 9), .jpg(1-10)
  • .gif
  • 1-n%, (Number) px x (Number) px for scaling

Here are some examples of how tags can be used:

  • 200% logo@2x.png, logo.png” produces both a 2x and a 1x asset*
  • *”@2x” is just a useful naming convention for retina images and it is not required.
  • banner.jpg10” produces a 1x asset with max quality
  • 400% button.png, 250×250 button.jpg40%” produces a 4x PNG asset and a custom-scaled JPEG asset

Real Time Connectivity With Adobe Edge Reflow

Adobe Generator also provides a real-time connection between Photoshop and Edge Reflow, Adobe’s new responsive Web designs tool.

With a single click, you can insert assets directly into Edge Reflow, reducing tedious manual labor.

Additional improvements

The 14.1 update also includes many other improvements to Photoshop, including enhancements to Color Range options, Isolation mode, and path selection, as well as native PSDX support (read-only) and 32-bit image support for many more filters. Click here to see a full list of the improvements and bug fixes.

The post Adobe Generator – Photoshop CC 14.1 appeared first on The Photoshop Training Channel.


Photoshop World Las Vegas 2013 – My Experience At PSW13

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Last week I attended Photoshop World 2013 in Las Vegas Nevada (PSW13). Photoshop World is an event designed to boost your Photoshop skills, which offers the most amazing line-up of Photoshop, and photography training in the world. Some of the presenters included world-renowned Photoshop experts like Bert Monroy, Ben Willmore and Corey Barker.

This was my first time attending the event, and below I will share with you all the highlights of my experience at PSW13.  Unfortunately there was so much information, and so many awesome people, that I cannot possibly write about it all. But I will try to give you a good valuable summary of my experience at this event.

Before Photoshop World

For me, it all started when I decided to attend PSW13 in late July, when Adobe announced that attendees to the conference would receive a free year of the Creative Cloud! So I thought to myself, “It’s a free conference.” I was already paying $49.99 a month, so this was a steal!

A few weeks later, Adobe found out that I would be attending and they reached out to me on my Facebook page to offer me a free training course at the Pre-Con, the day before the event. This was icing on the cake for me!

I flew out of Oakland on Monday September 2nd and spent my first day in Vegas just checking out the Mandalay Bay Hotel and the surrounding areas. The next morning is when all the fun began!

20130903_095205

Pre-Con: Top Gun Flight School

My first day at the conference was the day before the actual conference began. PSW has special training courses the day before the conference starts for those who are interested in taking them. The courses are $99 but as I mentioned before, Adobe invited me for free to the “Top Gun Flight School” training course.

This course started at 12 p.m. and it was all about learning how to fly the DJI Phantom quad-copter which can carry a GoPro camera for aerial photography (or film). The course was headlined by Russell Brown who has been Senior Creative Director at Adobe for over 20 years and he also was a key contributor to the launch of Photoshop 1.0.

20130903_193050

Jesus Ramirez & Russell Brown

 

The first part of the course was a 30-45 minute presentation from Colin Guin, CEO of DJI. Colin Spoke about the capabilities of the Phantom, and presented us with amazing footage and stills of what the Phantom was capable of doing with a GoPro camera. I knew I was in for a treat as soon as I saw the first second of the video. It was truly remarkable. (Here’s a similar video to what I saw at PSW13)

Obviously there was a lot of information given, and not enough time to takes notes or digested all.

In short, the Phantom quad-copter is about 7 inches tall and 12 inches wide. You operate it using a remote control and it can fly about 22 miles per hour, but it sure feels a lot faster when you’re flying it indoors as we were doing! The maximum operating range is listed at 300 meters, or more than three football fields–far enough to get beyond the line of sight (that the FAA strictly demands you maintain sight between you and your Phantom at all times.) The FAA also demands you keep it below 400 feet, so I’m not really sure how high it goes (as a law-abiding citizens I couldn’t possibly know), but suffice it to say that it goes really, really high.

I was a bit disappointed when I learned that the Phantoms we would be flying would not have cameras attached to them. And I don’t blame them; there were plenty of crashes and hits during this training! Luckily no one was injured, although some people did get hit!

I got an opportunity to fly the Phantom inside the convention room a total of 5 times. In my first attempt, I failed miserably, and crashed after flying it for a few seconds. While I was not as bad as other people, I definitely did not impress anyone with my flying skills.

After sever tries I started to get a feel of how to fly the Phantom and I must say that I felt like I had some control.

After an hours or so of flying indoors we went outside the hotel (in 95 degree heat!) to fly the Phantom using the GPS mode which was not available indoors. Unfortunately only the instructors were allowed to fly the Phantoms here since there were too many variables and a lot could go wrong if the person flying the Phantom did not have total control of the unit.

20130903_144457

The GPS mode essentially sends the Phantom into cruise control, allowing the Phantom to hold its position in mid-air, automatically compensating for wind gusts. Additionally, it kept the quadcopter’s inertia from carrying it forward when coming to stops. It also has a “home” setting where it would return to the place it flew off from (assuming you had calibrated the unit before starting the flight).

Once we went back in the hotel, Russell and Steve (my instructor and leader of my group), ran a contest to win a free Phantom!!! (That’s a $479 value).

The object of the contest was simple (although only 6 of us completed it, in a room of about 50 people), we had to fly the drone through 4 hoops without losing control, or knocking the hoops downs.  I (surprisingly) completed the task in 52 seconds. However 3 other people completed it in much faster times. The first place person completed the task in 23 seconds, while the second and third place persons were in the 30’s and 40’s respectively.

20130903_140127

I’m not sure about all the contestants, but at least one man (who came in 5th, right behind me) owns a Phantom, and has had experience flying it. So I didn’t feel too bad, specially since I won a consolation prize, a GoPro lens.

There was also a presentation from Russel Brown, regarding lens correction while stitching images together that were taken from the GoPro. He showed different techniques and explained why certain things worked and why others did not when working with these areal images.

We then had a presentation from Colin Smith from PhotoshopCAFE. Colin spoke about Photoshop’s capabilities to correct lens distortion in video. This was truly amazing to see. I definitely learned a lot from this presentation, and I was also lucky enough to receive a signed copy of his book, Video in Photoshop for Photographers and Designers. I will definitely be doing some more with video in the future, so expect new tutorials on that!

Pre-con Mixer

After the Pre-con course, which ended at 8 p.m., I took a quick meal break and headed over to the mixer where I had an opportunity to briefly talk to some of the other attendees.

I also met Sean, a Twitter follower of mine who contacted me before PSW13. When I joined his group he was speaking to Mark Heaps, who is another amazing Photoshop guy. We talked for a bit, and through conversation, Mark recommended me to attend all of Ben Willmore’s courses. I am now really grateful that I took his advice since Ben is a walking Photoshop encyclopedia.

Day 1: Photoshop World Starts!

In the first day of Photoshop world I woke up a bit late (Doh!) since I was out pretty late at the mixer.

I arrived to the Opening Keynote about 10 minutes late, but I was just in time to catch the opening  video of the Photoshop Guys (Corey, RC, and Scott) poking fun at the movie Top Gun. (You can watch the Keynote presentation here.)

The keynote was about 2 hours long and the most memorable part (at least for me) was the induction of Matt Kloskowski and Jeffrey Tranberry  to the Photoshop Hall of fame. It was a really great moment for these Photoshop professionals. However the thing that was perhaps most talked about was the $9.99 a month price point for Photoshop and Lightroom.

Soon after the keynote, attendees had to choose a class (of 7) to participate in.  I choose Ben Willmore’s Camera Raw essentials. I’m not too familiar with Ben’s work, but since he was highly recommended to me by Mark Heaps I took a chance on him.

Immediately I could tell that this was a good choice. I was impressed by Ben’s teaching style, and his vast knowledge of Photoshop. His way of explaining the histogram was comprehensive yet simple.

Don’t worry, I’ve got some tutorials coming that will utilize some of his techniques, so you’ll soon know what I’m talking about!

After Ben’s course I went over to the Expo, which had booths from many different companies like Adobe, Kelby Media, Photoshop CAFE, Canon, Epson, Wacom, and others.

They also had studio set ups where professional models in full make-up could be photographed. I took advantage of this and took some photos. Here’s a few of them, as you can see, I’m not as good a photographer as you probably are! Also, these photos have not been Photoshopped at all yet.

models

At the Expo, I also enjoyed a round of “Photoshop Wars”. This was a booth where two people competed head-to-head to complete a project in less than five minutes.  The audience would choose 5 images and a concept and for this round, the project was a CD cover for the fictitious band, The Grunge Giraffe.

photoshop-wars

As you could imagine, I wanted to compete but they didn’t choose me! Instead, they chose the young lady on the left who was a photography student, and the man on the right who worked as a creative art director.

A bit unfair don’t you think? I’ll let you guess who won!

Then I walked over to the Adobe Codeathon section where Photoshop engineers were actually coding changes to Photoshop. People could come up submit a request, and the engineers would code it in front of you! Or at least make a note of it. I was told by an Adobe rep that the changes would appear in future releases of CC.

I then got the opportunity to speak to one of the engineers, Tai Luxon.(You can see his name on Photoshop CC’s Splash Screen when you first boot it up.) He was extremely nice and approachable. He really took the time to understand my request.

I requested for Photoshop to have some of the capabilities that the plugin Guide Guide has, such as a button that adds a vertical guide and horizontal guide to a canvas, object, or selection.  I told him how Guide Guide was the first thing I install after installing Photoshop, and how I recommend that Plugin to everyone.  I feel that Photoshop has changed a lot since I first started with it back in version 7.0, but guides have remained the same.

Tai and I exchanged info so I’ll keep you up to date on this or any other new things that come up!

Tai Luxon & Jesus Ramirez

Tai Luxon & Jesus Ramirez

 

I then spoke to Lee Fraser who was at the Wacom booth, but he was in fact an Autodesk employee. Lee took the time to show me the Cintiq 22 HD Touch, a beautiful touchscreen tablet (which Bert Monroy uses) that was simply amazing!

Lee showed me how the tablet worked with Autodesk’s Mudbox 3D modeling software. And I must tell you, I was truly impressed on how far 3D has come. I dabbled into 3D while I was a student, and I became proficient with Autodesk’s Maya 4. But things have really improved in the last 7 years and after watching Lee use Mudbox, I think I might start playing with 3D again. It is surprisingly easy to get started and create pretty decent 3D models using some of the presets and distortion tools.

Lee was such a great guy, really friendly, knowledgeable and most importantly passionate about his work. Which is why I would highly recommend you check out Mudbox, and Lee Fraser if you’re at all interested in 3D? (Here’s a presentation Lee gave on Mudbox so you can get a better idea of the capabilities of this amazing tool.)

Jesus Ramirez & Lee Fraser

 

After talking to Lee I walked way over to the side; towards the edge of the expo where there were no booths or people (I have no idea why), then I see coming my way, a man whose work I’ve followed for over a decade, and who inspired me to get into Photoshop! Mr. Bert Monroy.

If you don’t know Bert Monroy, then know this, if I were half as good as he is, I would be twice as good as I am now. To me, the man is a living legend. Bert has been using Photoshop before Adobe even owned Photoshop. Bert co-wrote, with  David Biedny, the first book ever on Photoshop back 1991, and it was the only Photoshop book for almost two years.

I felt like such a child asking him politely to excuse me for interrupting him.  I explained what a big fan I was, and how my first Photoshop book (and Amazon.com purchase) was his “Bert Monroy: Photorealistic Techniques with Photoshop & Illustrator” Book!

Bert was very nice, he asked about me and what I did; I told him about PTC and some other work I’ve done. After finding out that we live about 20 minutes from each other, he was kind enough to offer me a tour of his studio, and also offered to sign that old book that I bought so many years ago.

Bert then asked if I was Mexican or at least Latino. I told him that I was Mexican, and he replied by saying “me too!”, and started speaking to me in Spanish! This caught me by complete surprise. We then had a very pleasant conversation in Spanish about our Latin backgrounds.

Bert then gave me his business card, and asked me to call him the following week to set up a meeting to visit his studio.

(Update)

I took Bert’s offer and went up to his studio! He was kind enough to sign my old Photoshop book for me, and he also gave me some sign copies of some of his other work. He was very generous.

Bert Monroy Signature

Bert then gave me a tour of his studio, and home. We spoke for about 3 hours about Photoshop, family, and the things we enjoy doing.

One of the highlights of the day (or perhaps my professional life) was that Bert wanted to see my site (Yes! This very website you’re reading right now!). He had nothing but positive comments, and he even bookmarked my site and subscribed!

It was truly amazing to have someone who I admired for so many years, be so kind and supportive of my work. I cannot stress enough the sense of gratitude and admiration I have for this man, but most importantly I’m impressed at how humble and friendly he was to me.

I unfortunately had to leave since I had other plans that evening but we made plans to hang out again in the coming week.

The funny thing is that I forgot my camera’s lens cap at his studio, so later that night I received a text from Bert telling me about the lens cap! I never thought I’d receive a text message from a true legend!

OK, back to Photoshop World! On the last part of the first day, I attended Bert Monroy’s Filter class. Most of the stuff he talked about I already knew (not to say that the class was bad, I have just followed Bert for so long, that I am very familiar with his work and what he does.), but I really got to experience Bert’s thought process that goes into creating images from scratch.

Bert did a great job explaining how to experiment with filters to get the results you want. He also spoke a lot about his process and how the key to creating massive works of art is to focus on very small areas at a time. If the whole scene contains buildings, and many people, then just focus on a single person’s eye, then move to their face, and so on.  Things become much more manageable that way.

Actually now that I think about it, Bert did teach me one technical thing in that class that I probably would have never known. I made a Tip of The Day out of it. See it here! (Did you know it?)

After Bert’s class I headed over to the House of Blues where the official Photoshop World party was held. It was a lot of fun and it was interesting to see the Photoshop guys in a social environment.

house-of-blues-scott-kelby

The band playing is actually Scott Kelby’s band!

Day 2: Halfway Through Photoshop World

In day 2, I first attended Ben Willmore’s “Hidden & Hard-To-Find Tweeks” course and I was not disappointed at all. Ben is essentially a walking Photoshop encyclopedia! His knowledge of Photoshop is second to none. I must say that in terms of technical knowledge I picked up more from Ben, than anyone else at this convention. I will share most of what I learned here as Tips of The Day so make sure you’re getting them on Facebook, Google + or Twitter.

The second class I attended was Richard Harrington’s “Using and Creating Better Actions”.  This was my first course with Richard, and I was surprised that I picked up a few tips from this course. I thought I knew all there was to know about Actions but Richard surprised me with a lot of neat tricks. Richard has a great teaching style and was very knowledgeable, you should check him out!

My third class was again with Bert Monroy. His course titled “It’s not as hard as you think” was really good. In this course we got another in-depth look at how Bert thinks, and the way he figures things out. The amazing thing about Bert is that he uses simple filters, masks, layer styles, and shapes to create remarkable images. His genius is in how he combines these basic techniques to create something truly extraordinary.

Bert showed a photograph that summed it all up for me. He folded a piece of paper into steps; he then used a lamp to cast the shadow of a pen onto the paper steps so he could see how the light bends on steps. He then recreated this in Photoshop on an image of actual steps. Sounds simple, but it’s truly brilliant! No wonder his stuff looks so real!

The quote of the day for me was when Bert said, “don’t try to figure out how I do things, instead try to figure out why I do things.” Which I think is great advice, and I think I’ve said similar things to people on this website. The point is not to get the exact same settings on the filters or tools I use. Instead, figure out why I chose to use those tools to begin with.

My final course of the day was with Aaron Blise, a former Disney animator who designed Raja from Aladdin and Young Nala from Lion King.

Aaron was a true master with the tablet. He quickly created characters from scratch. It’s hard to learn what he does since it requires A LOT of practice, but his concepts are well worth noting. Aaron has some good tutorials on creating characters in Photoshop in his YouTube channel. You should watch them if you’re into drawing in Photoshop!

Day 3: My Last Day At Photoshop World

My first class of the day was Video Editing with Richard Harrington. Richard showed the proper workflow to do non-liner video editing in Photoshop. He took several video clips he filmed while on vacation with his family, and created a nice little movie out of them. Richard then took the same project files and re-created it in Adobe Premiere. I consider myself an intermediate Premiere user and in 20 minutes he taught me some nice shortcuts that will definitely save me a lot of time in my workflow. I’m really glad I attended this course.

My second class of the final day was “Using Photoshop & Illustrator” with Corey Barker. I have seen a lot of Corey’s tutorials online, and they’re all high quality, specially his 3D stuff. Which is why I was slightly disappointed with this course.

There were several technical issues, with a few things he wanted to show us that were not coming out the way he intended. At one point he said it was because one of the files he was using was too big which cause the effect to take a long time to render, which made me think he was a bit unprepared, otherwise he would have had a smaller file.

Having said that, he did have some very interesting and useful techniques for those who work a lot with vector graphics and Illustrator and who want to bring their work over to Photoshop. Corey really knows his stuff and it’s obvious when you see him teach, unfortunately I only attended one of his courses. I heard from other attendees that Corey’s 3D and Motion Graphics course was truly amazing!

The final class I attended at Photoshop World was “Layer Styles” with Jack Davis. You’ve probably read above how Bert Monroy co-wrote the very first book on Photoshop. Well, Jack Davis literally wrote the second book on Photoshop. This man is another of those old masters who continues to amaze. I really did learn a lot more than what I was expecting from this course. Jack was not only a great instructor, but he had a really good sense of humor which kept everyone laughing the whole time. I really had fun and learned a lot about the old boring Layer Styles panel. Again, expect tutorials on this subject!

After this class I attended the closing ceremonies, which was more of the NAAP team saying thank you and goodbye. Several prices were handed out and unfortunately, I did not win any of them!

Hope you enjoyed reading my experience at Photoshop World! Let me know your thoughts and comments below!

 

The post Photoshop World Las Vegas 2013 – My Experience At PSW13 appeared first on The Photoshop Training Channel.

Halloween Jack-O-Lantern Pumpkin In Photoshop

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In this tutorial we’ll turn an ordinary pumpkin into a frightening Halloween jack-o-lantern.

We’ll create this image by taking advantage of layer styles and adjustment layers. we will be covering a lot in this video so rewind the video, and give a second look at the techniques if you get confused.

If you are still having problems, leave your questions or comments below.

The post Halloween Jack-O-Lantern Pumpkin In Photoshop appeared first on The Photoshop Training Channel.

Halloween Effects: Vampires, Blood, Bruises and Scars!

Photo Effect: Creating The Gritty, Trendy, High-Contrast, and Desaturated Look

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Here’s my shortest tutorial to date. It’s a quick video showing you the highly requested technique that gives photos a trendy, gritty, high-contrast, and desaturated look. You’ve probably seen a similar grungy effect in movie posters and advertisements.

The effect is quite simple, we’ll only use two adjustment layers, and one filter. One of those adjustment layers is the “Color Lookup” adjustment layer found in CS6 or newer.

I will also show you an alternative way of creating this effect in case you are in Photoshop CS5 or older.

As always I’d love to hear your questions or comments, so leave them down below.

Also, feel free to share your results!Leave them in the comments section or on my Facebook page

The post Photo Effect: Creating The Gritty, Trendy, High-Contrast, and Desaturated Look appeared first on The Photoshop Training Channel.

The Secret To Creating Amazing Composites: Perspective And Vanishing Points

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In this tutorial we’ll be learning what is perhaps the most import thing when it comes to compositing images together;  perspective.

The techniques that I’m going to teach you in this video, will make you a much better Photoshop user. They will make your compositions look much more realistic, and you’ll know what types of images you’ll need to complete a great composite.

But before we go any further, I would like to announce that I was recently invited to become one of the admins, at the Photoshop and Lightroom group on Facebook.

The group is a large community of Photoshop users that share their work and their knowledge; and I would highly recommend you checking out.

Today’s, compositions comes from another group admin, Karen Burke, who was nice enough to lend us her images for this tutorial. (Say “thanks” to Karen by liking her Facebook page!)

I noticed one of Karen’s posts in the Photoshop and Lightroom group, which was an very nice image of a sunset and people walking on a field. However something seemed a bit off. Karen requested creative criticisms from other members, and people had a lot suggestions on what the problem was and how to fix it.

I then realized that perspective is a huge problem for a lot of people, and decided to make this tutorial.

So we’re going to take Karen’s composition, and see how we can fix the perspective, so that the subjects don’t look like their floating over the field.

You can get pretty much get everything else right, lighting, color, shadows, and extractions, but if the perspective is off, your viewer will know something is not right. They might not know exactly what it is, but they’ll know there’s something wrong with the image.

Don’t feel too bad if you’re making these perspective mistakes, I’ve seen movie posters, and advertisements that are just horrible, when it comes to perspective. So even some pros have problems with putting together multiple images from different sources.

Feel free to download the tutorial files below to follow along with this training video.

 

The post The Secret To Creating Amazing Composites: Perspective And Vanishing Points appeared first on The Photoshop Training Channel.

Timeline Overview: Creating An Animated GIF In Photoshop

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In this training video we’re going to take a look at the video editing and animation capabilities of the Timeline panel. We’re going to do so by creating an animated GIF in Photoshop out of a video I recorded from my cell phone.

You’ll learn the differences in photo and video workflows, and we’ll also take a look at how you can take of advantage of Photoshop’s adjustment layers, and other tools to enhance your videos.

We’ll also look at working with text and the basic of animation using key frames. If you’ve never used the timeline panel before or you’re not very not familiar with it, then this is the perfect tutorial for you!

If you have any questions, please leave them in the comments sections. Also feel free to leave any other comments or thoughts there as well.

Final Image

Create Animated GIF In Photoshop

The post Timeline Overview: Creating An Animated GIF In Photoshop appeared first on The Photoshop Training Channel.

Turn Day Into A Rainy Night In Photoshop

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In this tutorial we’re going to take a daytime photograph and turn it into a rainy night scene.

We’ll start out by adding a blur filter to create the illusion of motion. Then we’ll start adding various adjustment layers to make it seem as if this photograph was taken at night.

I’ll also show you how to add very accurate lens flares using the Precise Flare Center which helps you position lens flares exactly in the place you want.

We’ll finish off this effect by creating realistic looking rain using patterns and layer styles in multiple layers, which is a more advance way to create rain (or snow) than the typical noise and motion blur effect that you’ve probably seen before.

This is a very versatile technique that could be used on other images, by simply tweaking the adjustment layers, and lens flares.

If you want to follow along with this tutorial, feel free to download the tutorial files. Look for them down below.

If you’re using your own image, keep in mind that your settings may be different than mine, but that’s ok. All you need to do is make the appropriate adjustments so everything looks with on your composition.

NOTICE: I am now posting the Photoshop Tip of The Day on LinkedIn and on Pinterest! If you enjoy them, please click on the links and hit the follow buttons. Thank you in advance!

You may also connect with my personal LinkedIn profile if you like.

 

The post Turn Day Into A Rainy Night In Photoshop appeared first on The Photoshop Training Channel.


Blending Modes Explained

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In this tutorial I’m going to give you an in depth explanation on how the blending modes in Photoshop work.

You may have worked with blend modes in the past, and it was probably more of an experimental process for you. The purpose of this tutorial is to show you how exactly how each blend mode works, so you don’t have to experiment as much.

By the time you finish watching this tutorial, you should have a better idea of how to use blend modes and what blend modes to use for your desired effect.

Leave any comment or questions below!

The post Blending Modes Explained appeared first on The Photoshop Training Channel.

Game of Thrones Poster Tutorial

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This tutorial will teach you how to create the Game of Thrones poster using simple techniques that will get you amazing results.

We’ll use Times New Roman as the font family, and I’ll show you how to use the Character panel along with shapes to transform the text.

I’ll also show you how to use Layer Styles to create a realistic chrome effect.

This is a two-part tutorial, if you are a newsletter subscriber, check your email for the link. If you are not a subscriber to my newsletter yet, then sign up free here.

If you have any questions, feel free to leave them down below, or send me an email.

The post Game of Thrones Poster Tutorial appeared first on The Photoshop Training Channel.

Game of Thrones Poster Tutorial – PART 2

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This is the follow-up tutorial to the Game of Thrones poster tutorial. In this video, I’ll show you how to create a sword using shapes and layer styles. Then we’ll replace the “T” from the poster with the sword.

If you haven’t seen the original Game of Thrones tutorial, you can watch it here.

If you have any questions, feel free to leave them down below, or send me an email.

The post Game of Thrones Poster Tutorial – PART 2 appeared first on The Photoshop Training Channel.

Color Correction and Color Matching With Curves

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In this tutorial we’ll talk about my “go-to tool” for color correction, the Curves Adjustment layer. This is one of my favorite adjustments and I use it instead of widely used Color Balance Adjustment for color correction.

In this video we’ll also take the time to talk about how color works in computer monitors and in Photoshop. This is a complicated topic but I’ll try to simplify it so it’s easy to understand. Once you have the concepts of RGB and the color wheel, you’ll be able to color correct your images with more ease.

I’ll end the tutorial by showing you how you can use Curves to color match an image to create a realistic composition. This is the image of the jet on the photo cover for this tutorial.

If you have any questions or comments leave them below!

The post Color Correction and Color Matching With Curves appeared first on The Photoshop Training Channel.

Photoshop CC 2014 – New Features

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The Creative Cloud 2014 release is finally here, and there are some great new additions and enhancements to Photoshop CC!

In this video tutorial I will show you most of the new updates and how they work. You can watch the entire video above, or watch any of the individual sections below.

Keep in mind that the Adobe Photoshop CC 2014 update is actually an entirely new application. If you previously had Photoshop CC installed, the 2014 update will not replace it. After the 2014 install you will have a new Adobe Photoshop CC 2014 folder in your Applications folder.

This means that any plugins or addons you had on your previous installation will need to be installed to the new Application folder.

If you don’t have Photoshop CC you can get it for only $9.99 a month.

Blur Gallery motion effects

Use Path Blur to add blur along any path and Spin Blur to create circular or elliptical blurs. You can adjust the direction, speed of the blur effect, and how the blur tapers at the end of the path.  See how it works

Focus Mask

Photoshop will automatically select the in-focus areas of your image. You can create a mask or selections from the focus mask. See how it works

Improvements to Content-Aware technology

New technology in Content-Aware Fill, Move, and Patch smoothly blends areas containing gradients, like skies, so you can create seamless, realistic results. See how it works

Smart Object improvements

Link Smart Objects within a document, allowing the file size to remain smaller. Similar to how video files are used in Premier or After Effects.

You can package the linked smart objects in a Photoshop document, such that their source files are saved to a folder on your computer. A copy of the Photoshop document is saved along with the source files in the folder. See how it works

Improved Layer Comps

You can now change the visibility, position, or appearance of one layer in a Layer Comp and then sync that change to all the others. See how it works

Fonts Search and Typekit

Faster font previews, and ability to easily search for fonts. You can now sync with the Typekit library, and get immediate access to hundreds of fonts. See how it works

Smarter Smart Guides

Smart guides allow you to quickly see the distance between objects so you can lay out objects with precision. See how it works

Adobe Generator enhancements

Simplify the process of naming Generator assets and get greater flexibility in organizing the output from Generator by setting document-wide defaults, and by specifying subfolders for exported assets. Generator also offers new APIs so developers can create even more powerful plug-ins. See how it works

Create Color look up tables

Intelligent upsampling, even faster see how it works

Workflow & Other Enhancements

Work faster and smarter thanks to new feature enhancements throughout your workflows. Now you have access to an expanded Color Panel; you can access your most recently used brushes, and more. see how they work.

Work Flow Ehancements

  • Layer Copy CSS now supports Inner Shadow Layer effects
  • Smart Guides are now enabled by default
  • Brush highlights now show the currently-selected brush and brush changes
  • You can now access the most recently-used brush presets in the Brush context menu and the Brush Presets panel
  • New Hue and Brightness color picker cubes in the Color panel
  • Ability to specify transparency dithering in gradients
  • Ability to create gradients with a single stop. Saved single-stop gradients don’t work with previous versions of Photoshop.
  • The new narrow Options bar lets you work more efficiently on devices having small screens. Select Preferences > Interface > Enable Narrow Options Bar.
  • Ability to create new gradient stops sampled from the current gradient preview
  • Import-only native support for MPEG-2 and Dolby audio
  • Support for new video formats, including Sony RAW and Canon RAW
  • Pin Edges To Liquify for warping in from the image edges
  • Reset All Tools now resets the tools displayed in the Tools panel slots to the default choices
  • Support for very large PNG files (up to Photoshop maximum and 2 GB limit)
  • Improved UI content for the New Document preset dialog
  • The Spectrum color picker in the Color Panel is now resizeable
  • Support for new video formats including Sony RAW and Canon RAW; and more.

Other Enhancements

Enlarge a low-res image so it looks great in print, or start with a larger image and blow it up to poster or billboard size. Upsampling preserves detail and sharpness without introducing noise, and now you get even more immediate results thanks to an OpenCL boost from the Mercury Graphics Engine.

Expanded 3D printing capabilities

Now you can see exactly where and how Photoshop repaired your 3D meshes so it’s easy to refine your designs in third-party 3D modeling apps. Get more accurate renderings of your models prior to printing thanks to WYSIWYG previews. And get support for more 3D printers and service providers.

Adobe Camera Raw 8 enhancements

Heal images, fix perspective distortions, and create vignettes with greater precision. Plus, access an interactive histogram, before/after previews, and more.

Expanded Mercury Graphics Engine support

Upsample images up to 15 times faster (depending on file size and video card configuration) now that the Mercury Graphics Engine delivers an OpenCL performance boost. The engine powers new Blur Gallery motion effects and the Focus Maskfeature, too.

Items Removed

With each release of Photoshop new cool features are added but sometimes some existing features are cut. The following features are no longer available in Photoshop CC 2014.

Extension Panels using Flash, including:

  • Mini Bridge
  • Kuler
  • 3rd Party Panels (including Configurator panels)

Also:

  • Oil Paint filter
  • Mac OS X 10.6.x support

More info here.

If you have any questions about the new release of Photoshop, you can read the official FAQ.

 

The post Photoshop CC 2014 – New Features appeared first on The Photoshop Training Channel.

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